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Aaron Copland School of Music, Queens College/CUNY
Samuel J.
and Ethel LeFrak Hall |
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The Maynard-Walker Memorial Organ |
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Bedient Pipe Organ Company 1991, op. 30 (III/35)
Major overhaul by Flentrop Orgelbouw 2006 |
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Mechanical
key and stop action
Temperament: 1/8 comma (eight slightly narrow fifths;
one Pythagorean
third on D-flat)
Compass
manuals: C-g’’’; pedals C-f’
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HAUPTWERK
(I) |
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Praestant
|
16 |
b-flat''
double |
|
Octava |
8 |
b-flat'
double |
|
Hohlflöte |
8 |
|
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Gamba |
8 |
|
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Quinte |
5 1/3 |
g' |
|
Octava |
4 |
b-flat
double |
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Rohrflöte |
4 |
|
|
Quinte +
Terz |
2 2/3-1
3/5 |
half-way 2
2/3 only |
|
Octava |
2 |
|
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Mixtur |
III-IV |
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Trompete |
16 |
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Trompete |
8 |
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OBERWERK
(II) |
|
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Quintadena |
16 |
|
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Praestant
|
8 |
C-G
combined with Rohrflöte 8 |
|
Rohrflöte |
8
|
|
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Octava |
4 |
|
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Octava |
2 |
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Sesquialtera |
II |
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Scharf |
II-IV |
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Dulzian |
8 |
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BRUSTWERK
(III) |
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Gedackt |
8 |
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Blockflöte |
4 |
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Gemshoorn |
2 |
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Octava |
2 |
|
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Sifflet |
1
1/3 |
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Zimbel |
II |
|
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Voce Humana |
8 |
reed |
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PEDAL |
|
|
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Praestant |
16 |
C-B = Hauptwerk;
C-E-flat = Subbass 16 + Octave 8 |
|
Subbass |
16 |
|
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Octava |
8 |
|
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Quinte |
5 1/3 |
|
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Octava |
4 |
|
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Mixtur |
IV |
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Posaune |
16 |
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Trompete |
8 |
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Cornet |
2 |
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COUPLERS |
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HW + OW,
Ped + HW, Ped + OW |
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ACCESSORY
PEDALS |
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HW/OW mixtures
on/off, HW/Ped reeds on/off
Tremulant
(whole organ) |
|
Emanuel Lutheran Church, Pleasantville, NY |
|
Austin 1968, op. 2492 (II/14+8)
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HAUPTWERK (I; C-c’’’’) |
|
Erzähler |
16 |
|
|
Principal |
8 |
C–B Pedal, c–c’’’’
HW 4 |
|
Rorhflöte |
8 |
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Erzähler |
8 |
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Principal |
4 |
|
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Waldflöte |
2 |
|
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Mixtur |
II-IV |
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Krummhorn |
8 |
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POSITIV (C-c’’’’) |
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Nasongedeckt |
8 |
|
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Nachthorn |
4 |
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Prinzipal |
2 |
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Sesquialtera |
II |
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Zimbel |
II |
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Tremulant |
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